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Watchmen - Chapter 5: Fearful Symmetry
Chapter 5: Fearful symmetery

I always liked William Blake's poem which is also quoted at the end. Reflection will be a major topic showed in e.g. (5-12-8, 5-14-4, 5-15-1 (which is some a variation on 5-14-4 and part of the same panel), and even page 0). 

Notice the dots in the images of The Black Freighter story. Dots symbolize the comic book. Historically because the images were reprinted badly, but why did it move to symbolize it so? E.g. Roy Lichtenstein’s paintings:



There is a very nice metaphor about comic books (Graphic novels) with the Black Freighter story. It is a parallel story, but notice the words, the images. It is also a reflection on how books, specifically comic books, relate to reality. How everything is dramatized. This is one reason people look down at comic books, as things are not “real.” Of course here we see how they are very close to reality, only told in a more dramatic, flamboyant, fashion. Like through a magnifying glass.
The self reflection of creating characters as in 4-12 is more clichéd, but this one is more original I think.


Ozymandias seems closer and closer to Dr. Manhattan. Already in 4-14-1, but now in 5-13-6 we notice that they also have a similar dual relation to death. Death is not the end for them as it is for most people.

Note a difference from the movie (if you haven’t seen the movie, skip this small paragraph). Here the person who dies from the attack on Ozymandias is his nice secretary we just got to know. In the movie it was some bad oil guys. Small ways the movie, and movies in general, try to make things nicer.

5-22-7 A relation between the tipster and the hero of the black freighter. Or, perhaps just a funny connection the author wanted to do between the stories.

In 5-11-1 Rorschach mentions his mask as his skin.
The Rorschach image is portrayed, in 5-11-(7-9) as two squished, inversed, question marks! Notice here both the fearful symmetry, as in R, inverted R which is his symbol and that of the restaurant we constantly see reflected (hence inverted) in the water. Which is also the last image 5-28-9
I like Rorschach snappy suit. As he says in 5-18-6 putting them on he abandons his disguise.
And in 5-27-9 it’s the first time he accentuates anything, as he also does in 5-28-(2-3).
It’s surprising how different his character is in the book and in the movie.

End of painted part.

Postscript (April 14, 2009 at 7:00 PM):
Written part

The topic here is indeed comic books, and in particular the Black freighter. In play is again the relation of images and description of images - The power and lack of power which both offer. He uses this chapter to also expand on the tale of the freighter to make us notice how the hero of the story we are following is similar to Satan in that the ship he constructed is similar to Satan’s ship with all the corpses.

The topics of homosexuality and pornography are again mentioned, for now not too importantly, but constant small references.

Books Discussed
Watchmen
by Dave Gibbons Alan Moore

Hi Arthur,
I have been following this great reading group even though I haven't posted. It does offer an impressive resource for later readers of the book.
You mention Ozymandias connection to Doctor Manhattan. William mentioned (post) how Manhattan is supposed to be a Hindu god. Ozymandias could then be, or rather consider himself to be, an Egyptian god. Notice constantly the Egyptian artifacts around him, for example in 6-14, and 6-15. I don't know much of the characters of the Egyptian gods besides from films like The Mummy, which I doubt is the best resource on the matter.
As always, I enjoyed reading your insight Arthur.
 In all the previous chapters there is a play between the comic’s fictitious story and the “reality” (the written story at the end). In this chapter I felt it stronger and must admit that for a few seconds I thought I was reading a real critique of the black freighter (I know... I am extremely gullible). The writing changes so drastically between the parallel stories (see post on expressionist penmanship), they are telling a similar story but from another angle, which keeps reminding me, the obvious, that in my teaching field, what matters is not what you say (as mostly people would say the same) but how you say it.
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