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Etgar Keret
I am currently reading Etgar Keret's, http://www.thinqon.com/member/etgar.keret, new book of short stories "Suddenly, a knock on the door", which is the name of the first story, and I wanted to give it a place here.
I read the first three stories and each brought me a smile through a tear. In Keret's writing, I find myself reminded of a rainbow, through his bringing forth the tragic facts of life next to the little jokes and joys. At the end of the story comes the rainbow through his ability to ally those elements and create.

The first story is about creation. How does it happen, what motivates the writer? A gun? A baby? Why do we write?
There is also technique: "suddenly, a knock on the door", a tool that makes things happen. But Keret doesn't wish to just entertain, to write and imagine all from nothing. The hero of the story (Keret) wishes to brave the difficulty of writing something from something and bring what is within him out.

I admire that he dared to show us, the readers, the void he's looking at before creating. As readers, we are witnesses of his getting closer to it, and there is this tension of whether he will make it, will he succeed in creating a new story. As we see the void engulfing us and him and believe it's too late and it won't happen, suddenly emerges his creation, unexpected.

Some years ago I read "The Things" (Les Choses) by George Perec, and in the Appendix there was a talk he gave about his work, where he explains his inspiration, or base to his book, coming from different literary works. I don't know where Keret finds his inspiration, what is this something of which his creation rises from. But this first story of his new book, made me think back to Edgar Allan Poe's story "The Maelstrom" and Ionesco's "L'impromptu de l'Alma".
Books Discussed
The Bus Driver Who Wanted To Be God & Other Stories
by Etgar Keret
A Void (Verba Mundi)
by Georges Perec
The Girl on the Fridge: Stories
by Etgar Keret
The Nimrod Flipout: Stories
by Etgar Keret; Institute for Translation of Hebrew Literature
Kneller's Happy Campers
by Etgar Keret
Les Chaises: Farce Tragique Suivi De L'Impromptu De L'Alma Ou Le Cameleon Du Berger (Folio) (French
by Eugene Ionesco
Missing Kissinger
by Etgar Keret

Etgar’s second story called Layland (a combination of the Hebrew word Layla, meaning Night, and the word Land in English) is a walk through a dream mixed in reality. The dream tries to teach the dreamer something about himself and about life’s reality (maybe not being quite real).
This story reminds me of a Fable of Lafontaine, and its morality would be to channel your fantasies as you might meet them sooner or later as realities in your life, and it is preferable they be happy and positive.
I will not write posts about every story of this beautiful book. I just wanted to add that it is a true pleasure to savor each story slowly, as it touches something essential which might elude the consciousness through life’s race.
I just started also reading his latest book, Suddenly a knock on the door. I don't think I'll write on each story, but on some of them.

The first story, Suddenly a knock on the door, is as you say Edna about creation, but I would describe it a bit differently. The story is how life and some action is both necessary for creation - the knock on the door, something happening - but also constantly disturbs it. People demand a story from him at gun point - he feels pressure and all he asks for is some quite time to work and then he will easily manage to write, but he also needs the action to create, as as you say Edna one doesn't create out of nothing. He both needs the knock on the door in order to create, but also the knocks constantly stop the creation process.

We have seen many movies with the author sitting in a cabin and just yearning for a knock on the door to save him/her from the silence and boredom, but at the same time the author chose that quite cabin as the only place to work. Here there are the people demanding a story from him to save them from their boring life, but he needs them, the readers, to save him from his boring life.

It's a great story, but I was wondering about how we read it as about creation in general and not simply Etagr's creation process. What he describes is not true for everyone, nor does he claim it to be true for everyone, and yet because it isn't I feel somewhat disturbed.
I find the image, suddenly a knock on the door, a terrific image of a moment which is both responsible for creation (in providing source-material and action) and for its negation (in being a disturbance, and the way life stops you from creating).
We'll see how this motif continues in the book.
When Etgar published here his story Snot, which also appears in his latest book, I liked it, I found it moving, but it was also somewhat strange. I didn't know how to relate to it as it was also somewhat empty. But continuing to read his book one notices how each story is another example of an imaginary  existence besides the real one. When read in the context of the book, besides being moving, Snot makes sense.

One constantly hears people ask Etgar why he hasn't written a full fledged novel, a big book, but these stories form a big book, whether the characters in them physically meet - which is the usual literary/cinematic technique - or not. The topic, immediately presented in the first story, is the mix of imagination/daydreaming and reality in people's life, and this topic repeats in every story, at least in what I read so far. Together the stories form a very coherent piece which is very strong. A vision of what is life, or at least life for someone who imagines - and Etgar certainly has an imagination.
Imagination might not be the right word here as it's a mix of imagination, simulation, daydreaming, fiction, etc.
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Latest Post: August 24, 2010 at 10:59 AM
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