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Infinity and illusion by the ocean
This is my first post on this wonderful site and, coincidentally, the first time I am really sharing a poem of mine.  I'm afraid it isn't that refined, or particularly good, but I think it's going somewhere I like and to a place I inhabit often in my mind. I'll have to sit with it more before it becomes more what I want for it to be, but in the meantime I'd love to see what everyone thinks!
...
I love and long to walk by the sea

Where the sand softly sifts

Through my tired, cracked toes.

Where, as I dreamily bend to sit,

A seagull scares me straight up.

So I continue to consider, as I walk,

What this mind is, and to whom this body belongs.

And my thoughts crash among the crackling shells

Being tossed up to the dry sand

Where I, a mere passerby,

Brighten my face to a smile,

Relishing the intricate lace

Of black lines and purple sheen

Held on this mussel shell,

Whose beauty is a memory of its wet life,

When its body reached, timorously,

Out into the flowing ocean

—Just as my mind longs to leap—

Absorbing its needs from the finite expanse.

 

Yet my mind reaches to the ocean

In false hope that it is not finite,

That the illusion of the horizon is actually true,

And that what my eye can see really is infinity,

Not just another body

Continuously stretching,

Reaching, breaking,

Forming, conforming

To the world and its interminable restrictions.

 

I feel my mind seeping

Into the fantastical almost-feeling

Of my body growing out

In tendrils that expand to become part

Of that sifting sand, those exfoliating grains

Illusively stretching on forever

Uniting with the endlessly crashing waves.

Salty, mineral, forever expanding but held

Around that one crystal,

That one grain,

That one shell,

That one mind.

 

The one is infinity

And

Infinity the one.

 

What is the illusion?
Dear Leah,

I’m not used to reading poetry and even less so in  English, but I really enjoyed reading your poem, it is very beautiful.

Usually, I read novels and history books, and one of my favorite authors who (in my opinion) managed to bring history out of “the dry facts” way of writing, is 19th century French history writer Jules Michelet. He has also written some books on natural history, “The insects” and “The sea”. They are wonderfully poetic.

Here is what he says in the beginning of Chapter II on the infinity of the Ocean: “On peut voir l’Océan partout. Partout il apparaîtra imposant et redoutable. Tel il est autour des caps qui regardent de touts côtés. Tel, et parfois plus terrible, aux lieux vastes, mais circonscrits, où l’encadrement des rivages le gêne et l’indigne, où il entre violent avec des courants rapides, qui souvent heurtent aux écueils. On ne le voit pas infini, mais on le sent, on l’entend, on le devine infini, et l’impression n’en est que plus profonde. »

« We can see the Ocean everywhere. Everywhere, it will appear imposing and forbidding. Thus it is around the capes that look upon all sides. Thus, and sometimes more terrible, in vast but circumscribed places, where the frame of the shore will annoy and irritate it, it enters violently in fast currents, that often thump on the reef. We don’t see it as infinite, but we feel, we hear, and we guess it is infinite, and the impression is only deeper.”

P.S. I have it in French and it is hard to translate, so sorry for the poor translation.
Books Discussed
The Sea (La Mer)
by Jules Michelet
Nature: Or The Poetry Of Earth And Sea (1872)
by Jules Michelet

Julie,
I'm so happy you liked the poem! Unfortunately I don't speak French (I aspire to speak Spanish) so I can't comment on the translating job, but in English the passage remains stunning and evocative of those sea-side thoughts.  I will have to take out one of Michelet's books...they seem fascinating!

~ Leah 
Leah, thanks for sharing the lovely poem, and Julie for Michelet...
About the poem, just a remark, a first reaction: how did you come to decide about the lengths of the lines? When I feel myself in the grip of the sea,  my thoughts tend to be inexorably drawn into a certain length. You see it with Michelet too, he tries for a few sentences to keep things short and clear, and then the tide of that fourth sentence rushes in and takes over. And yet you haven't fallen into this (I won't say resisted it, because it doesn't feel like resistance). Was this written with the memory of the sea rather than the sea itself? Or was it written to the rhythm of footsteps in the sand, to the pace of a moving person, rather than of a still person against the moving water?
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Latest Post: June 10, 2010 at 9:23 PM
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