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Is This African Enough?
Is this African Enough?

When I was in Egypt, we often joked that we were in Fake Africa.  When asked if I had ever been to Africa before Benin, I would say yes and explain Egypt, which elicited much doubt.  I was told, in one way or another, that Egypt didn’t count, or wasn’t really Africa because it was:

-too rich

-too Arab

-not black enough

-too developed

-too wealthy

-filled with too many people who were fully clothed

-not hungry enough

-not in civil strife

-not “native” enough

-too educated

If that’s not offensive to all parties, I’m not sure what would be.  Often our stereotypes, both positive and negative, get in the way of our ability to just appreciate a place for what it is.  When in the markets of Benin, many of the girls looked for “something really African,” such as wooden, hand-carved jewelry.  Wooden, hand-carved statues.  Or wooden, hand-carved anything.  Many were frustrated that we only saw cheap plastic and metal jewelry from China in plastic wrap.  But that’s what the women around us wore.  Not hand-carved elephants or oblong faces on a string of wooden beads. 

Instead of trapping Africa in the CNN version of it (hungry, desolate, war-torn and filled with safari animals and naked people) why don’t we just let Africa reveal itself to us?  Sometimes Africa is t-shirts, while other times it’s vivid-patterned cloth from China, and still others it’s an abaya.  We are the observers–not the creators–of Africa, and like any destination, we should try not to let our own imagination hold us back from the amazing world unfolding right in front of us.
True.  And very well said.
I think the point is well made that Africa as experienced at it's antipodes is not really Africa (ie Cairo and Cape Town are not representative of Africa) and all those cliches used by CNN and their ilk are sadly often on the mark if not fully illustrative of what Africa is.  Even at it's antipodes, Africa is not what is experienced by the tourist.  You see and experience what your 'suppliers' want you to see so next time you come back it is again as a tourist dispensing largess, rather than as an avenging angel or zealous missionary dispensing hope.
 
Africa is many things and I can only begin to point you toward some understanding of some of it, by directing you to a book by one Moeletsi Mbeki, brother of Tabu Mbeki, the new South Africa's 2nd president.  His (Moeletsi's) views are insightful and get to the nub of much that is wrong with Africa.  How these two men could be brothers, with such divergent views, is a mystery.  In my mind, clearly the wrong brother became president.

I will quote the opening sentence of the blurb on the cover of the book:
 
"Of an Estimated 1 billion people in the world who are trapped in a cycle of grinding poverty and despair, a disproportionate number live in sub-Saharan Africa."

the book is:
 
Architects of Poverty by Moeletsi Mbeki, published by Picador Africa ISBN 978-1-77010-161-6
available on Amazon
 
If you want authentic Africa, this is as good a point as any to start with.

For anyone who wishes to understand today's Africa, this is essential reading.
Books Discussed
Architects of Poverty: Why African Capitalism Needs Changing
by Moeletsi Mbeki

I like this post, Delia.
The question of authenticity is not restricted to Africa, of course. What do tourists experience of the 'real America'? I think your points are well-taken, and the critique has been made many times over that Africa has been packaged in certain ways to serve different purposes. I would also recommend the anthology "Gods and Soldiers," edited by Rob Spillman, which collects contemporary African writings. It's a good start to get into a place that's all too often inadequately represented. I'm also interested in the fact that in current discourse anything 'made in China' counts as inauthentic. Global trade did not start 10 years ago but millenia ago - the silk worn by Europeans in the Renaissance was not home-spun, and neither was the gold mined in Italy, or France, or England. The markets in Ghana are flooded with African prints, made in China, and smuggled in from Togo since they can be produced more cheaply in China. They are printed with African designs, and look nearly indistinguishable from fabrics produced in Ghana. Is it inauthentic for anyone in Accra's Makola market to purchase such fabric and have it made into a shirt? 
I'm just raising these issues because the question of authenticity rests on an assumption of a 'pure origin' or 'essence' or 'identity' - which is all too often a fabrication in itself. 
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Latest Post: December 2, 2010 at 11:37 AM
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