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The Arts Room General Passion, addiction, art
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Passion, addiction, art
Why are the three so related?

I recently watched the Jackson Pollock biopic. It wouldn't have been a film at all if he hadn't been an alcoholic. There would have been no conflict. But the bigger question: Could Pollock have been such an amazing artist had he not had a predisposition to addictive behavior?

Passion and addiction can easily overlap. They both require a degree of unbridled commitment. They require the person to expel themselves wholly. And in this way passion is not always a good thing, it can be a death sentence and surely can be blamed for many a false path taken by great historical figures. So passionate was Einstein on discovering a theory for everything many scientists declare he wasted his best years going down a blind alley.

What I think must sit in between passion and addiction are the ideas of persistence and emotion. It's a delicate balancing act and should it tip over the results are treacherous. And we see this in Pollock. We see how alcoholism fuels his passion which in turn fuels his art. And in his work you can see the zerg to it, you can see just how much of himself and his intensity he is throwing directly onto the canvas (literally it turns out). But what happens is the eventual domination of his addiction. Without the space of the canvas as an outlet to the raw emotion and passion and persistence ingrained in his spirit, he turns even harder to addictive tendencies.

So what is it? Why should there be such an overlap and how is it that the point where they bridge can create such beauty? 
The affect of alcohol, if not abused, at least in my case, is purely aesthetic.  The world presents itself a level above time, immune to its ravishes.  My attention and the object are unified.  The world frees itself from what I ordinarily diminish it with—the urgency to establish an imperishable Self.

Artistic creation most often is drawn out through hours or days yet there is no time, no aging, and the same thing happens, and I feel liberated from the need to establish identity.  I already am and can simply be. The good life is simply to react and each reaction during that state is perfectly appropriate.

<?xml:namespace prefix = st1 ns = "urn:schemas:contacts" />Hope is fulfilled in both.  The promise of the world has been fulfilled, every contingency redeemed. It seems I’m describing the Rapture.  My every action has been both morally and esthetically perfect and the reward has become one with time.

The problem is that nothing can prove that those perceptions are authentic.  Each time the effect ends and I’m back in the familiarly polarized world again.  Judgment no longer is so concise, proven in emotional responses by yielding beauty, but has the same problematic nature thought has as its positions are always haunted by insubstantiality, existing between poles that exist not essentially, but only for the sake of thought itself.

So it’s homesickness.  Exiled from the enchanted state one can turn on the Self that vanishes so completely during those raptures, but has reappeared, with the inauthenticity of violence.  The impatient Self turns on itself, wants to destroy itself in order to regain that perfectly aesthetic world. 

Resist the temptation and be patient, knowing that even a little sip of that nectar is all I deserve and the beauty I experienced will extend into my everyday life like like from a rose… but sometimes the spirit is so weak, the temptation to experience again that fragrance too great, the means to get rid of myself, though artificial, so near…
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Latest Post: August 19, 2010 at 3:07 PM
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