Occupy the Internet
THINQon is a platform for a more intelligent web. It aims to replace the ruling paradigm of the web – that of sharing and gathering information – with a sharing and achieving of understanding. Instead of the Q&A model it offers an experience. A platform for discovery of ideas, people, and yourself.     Continue >
Prelude op. 45
Chopin’s Prélude op. 45 in C sharp is a vivid example of a fluidity of movement,  led by harmonic modulations. It is a quest, a search in colors and emotions through the different keys, climaxing in the Recitative after the Cadenza and vanishing back to the original theme.

Gide describes Chopin as an improviser, and I find it again interesting to bring forth in relation to this Prelude which is based on unfolding an improvised path through tonalities and modulations.

“ We are told that when he was at the piano Chopin always looked as if he was improvising; that is, he seemed to be constantly seeking, inventing, discovering his thought little by little... Each modulation in Chopin, never trivial and foreseen, must preserve that freshness, that emotion which almost fears the surging up of the new, that secret of wonderment to which the adventurous soul exposes itself along paths not blazed in advance, where the landscape reveals itself only gradually.”
Edna --
After reading your various comments on Chopin -- and others relating Bach (very persuasively) to Paul Klee -- I'm prompted to offer a newcomer's "Thank-you" that risks introducing you to someone you may already know.  I'll take that chance, however, even if it only encourages you to continue all you share as a fine pianist AND writer.  Sharing both of these gifts requires a kind of generosity that deserves constant encouragement and I'm happy to add mine.  If you have not done so already, let me suggest visiting the website of a very gifted American performer -- a New York City physician -- who also writes beautifully and, I believe, shares your artistic interests and aspirations .  Her two-page essay for The Lancet, which highlights the cello lesson that introduces her to the first Bach suite, will demonstrate for you why my suggestion also says, "Thank-you." 


The author\musician\physician is Danielle Ofri, MD.  Background can be found at:  http://danielleofri.com/ 
-- Her essay, "The Art of Medicine -- Thoughts on a G String" is available without charge (upon registering) with The Lancet, Volume 373, Issue 9658, Pages 116 - 117, 10 January 2009

 
Dear Edna,

I fully agree with our comment on this extraordinary prelude of Chopin, full of poetry and mystery. Your performance in your last CD perfectly reflects this poetry, with a rare sensitivity, and diffuses an extraordinary emotion.

Coming back to Gide's book, I would like to mention a purpos of Michael Levinas, in the preface of the "notes on Chopin", which seems to me illustrating perfectly the delicacy of you art of playing: "il fallait laisser deviner l'emotion dans une mi-voix pudique, une extinction de la resonnance".

I should thank you for a so beautiful performance, which helps us to enter in an unexpected world, behind the mirror.

In response to Pierre MOURLEVAT
Dear Pierre,
Thank you, I didn't read this preface by Michael Levinas but the phrase you brought up here is very beautiful and true to Chopin's way.
Join the Community
Full Name:
Your Email:
New Password:
I Am:
By registering at THINQon.com, you agree to our Terms of Service and Privacy Policy.
This topic has the following siblings:

Chopin - Notes on Chopin

Chopin - 2nd Ballade

Chopin - 3rd Ballade

Discussion info
Latest Post: June 29, 2010 at 7:44 AM
Number of posts: 5
Spans 231 days

  
Searching
No results found.