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Suite Francaise
Hi, I'd like to talk about a very beautiful book I read lately, it would be nice to get your impressions as well (talking to fellow readers of Nemirovsky), but if you haven't you can still read my post as it contains no spoilers.
The book is called Suite Française by Irene Nemirovsky. There is a rhythm in the way she writes that gives you the feeling of looking at a movie, or listening to a piece of music. The first book, “Tempest in June,” is like a first movement in a Symphony (I actually read in the preface that it was inspired by Beethoven 5th Symphony). It is long, the rhythm is fast, it is the story of the exodus of French families when the German Nazi invaded Paris. I always thought itfascinating, to hear/read about real history from the point of view of afictitious character. From the story of the wealthy bourgeois Pericand family tothe one of the stingy Charlie whose only attachment is for his porcelains, she's describing the people and their reactions in a desperate situation. ” The ultimate measure of a man is not where he stands in moments of comfort and convenience, but where he stands at times of challenge and controversy.”I thought that in the first book she was trying to show division, contrast and collision between people. The roots for this are based in different beliefs, political standings, social class and education. To show how divided the people are, even though they are all suffering the same fate. She shows no indulgence for the rich and wealthy that are much more prone to corruption as they have everything to loose and she is being very funny and ironic when she is describing the Catholics, their generosity to help the needy and the motivations behind it. The second book called Dolce, is an Andante (or Lento), there is not the fast movement of fleeing or battle. It takes place in the little pastoral village of Bussy, the village is occupied by the Germans and throughout the book (which like a second slow movement, is also shorter), are described the human relationship of the conqueror/conquered as groups but also as individuals. Contrary to the first book, she is showing how individuals in this group relationship can be drawn together, even like each other as human beings and have a common language. It raises the question of  human imprisonment in its different forms.  For example the one of the German soldiers that are obeying orders, or the imprisonment of the women in their lives and roles, in what society expects from them. As Simone Weil writes : “Liberty, taking the word in its concrete sense, consists in the ability to choose.” As in the first book, she is telling simultaneously the story of a few people, one of them is the one of Lucile Angevillier who is imprisoned in her life now for several years, since she married a wealthy man who does not love her. Ironically, her husband is taken captive and is now imprisoned by the Germans and she has to accept the presence of a German officer in her house.  She lives together with her mother-in-law as well, a sort of a dog (or more precisely a bitch), preserving and keeping the property for the hopeful return of her son, and throughout this book, the place of the prisoner keeps changing between these three characters.

 

It is a great pity that the Suite Française ended with those two books, I would have liked to read what became of all the characters mentioned in “Tempest in June”, especially the Michaud couple who are the most noble and touching characters. But as Michaud refused to take the chance to have a different life by going to Brazil, so did Irene Nemirovsky refuse the possibility to flee, she stayed in France consciously knowing the risks. Her public of readers gained a wonderful book, a real testimony of history, even if the characters are fictitious, but this at the price of all the others, unwritten books.  

  
Books Discussed
Suite Francaise
by Irene Nemirovsky

I completely share the admiration for Suite Francaise, especially the first part. Nemirovsky was in my opinion quite a mediocre writer, but in this book she transcended herself, as if she knew it will be her last. By the way I heard Irene Nemriovsky's daughter, Denise Epstein, say that the characters are actually not fictitious at all - she recognized every one of them expect for Charlie. If someone is interested and can read French, Denise (who's now over 80) just published a book of her own, called "Survivre et vivre" (surviving and living), about her memories of her mother, her childhood experiences during the war and the way the publication of Suite Francaise changed her life.
Anyone with access to The New York Review of Books (55.8 (Nov. 2008)) might like to read JMCoetzee's "Irène Némirovsky: The Dogs and The Wolves".  It might serve as an introduction.  Mr. Raz and Ms. Stern may not get much out of it if they have read Survivre et vivre.  NYR also published an article, perhaps in the same issue, on the millions who fled the German army headed south.  I haven't been able to find the reference in a brief search.
It was very important to launch a discussion on this topic.

I just finished the "Suite française", a very emotional story (I like the comparison with a piece of music), which leads to questions about our current world: could such a french suite happen again in the future ?

Irène Némirovsky said: " Nous sommes à un âge où la société périt pour que vivent les tyrans" ("we are in an era where the society dies in order to let the tyrants live.").

What I learn form her testimony, seeing the attitude of the wealthy bourgeois, the collector of porcelains, the Catholics (at least the people thinking they are catholics), I conclude taht the worse may come back at any time. The risk of a new nazism-type tyranny is extremely high, even if we seem to be very far from it.

Maybe the risk is higher in the 21st century, due to a certain drop in moral values in some important circles of the society, like in the world of the finance capitalism. Important people, even highly educated, may feel a kind of fascination for tyrants, if those tyrants respect and favour their own interests. 

I often think of troublesome attitudes in the french elite, at the time Irène was assasinated in a concentration camp: exactly at this time, one of the most respected french organ componist of the 20st century, also organ professor at the "conservatoire national supérieur de musique de Paris", decided to help the management to identify and to eliminate all the professors from jewish origin. What could happen today in the same case, as we are more fragil in our values ? My assumption is that it could be worse.

Irène Némirovsky reminds us how precarious are our comfort and our happiness: she reminds us that all the harmonious developments in our life are as fragil as a crystal glass.
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Latest Post: February 20, 2011 at 12:16 PM
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