Occupy the Internet
Music Room General The Death of the Standing Ovation
THINQon is a platform for a more intelligent web. It aims to replace the ruling paradigm of the web – that of sharing and gathering information – with a sharing and achieving of understanding. Instead of the Q&A model it offers an experience. A platform for discovery of ideas, people, and yourself.     Continue >
The Death of the Standing Ovation
                 It is with my deepest regret that my first posting on THINQon should be on the passing of such a luminary figure in the art world. The standing ovation has always been a sign of brilliance, it has been a testament to the innovation and triumph of a truly amazing artistic performance. It both validates the artist as well as the audience member who wants to show his gratitude.  A performance that merits a standing ovation should be groundbreaking, life-changing, inspirational, beautiful, and meaningful. In its ideal form, the standing ovation is a tribute to performances and the performers in them that evoke the purest spirit of art. Thus, it is with my deepest regret to inform the community that the standing ovation is dead.

                The standing ovation can only carry meaning if it is a rare occasion. The performer must know that he deserved this special tribute. If the standing ovation is handed out at every single performance than the message loses all meaning and the artist no longer knows which performances actually achieve something greater, something almost spiritual.

                Now I make very few moral stands in my life, and when I do they are often overlooked. At Starbucks I refuse to use their cup size designations, at donation-based museums I refuse to feel bad when the ticket people give me mean glances for only giving a few dollars, and at international delegations I refuse to make concessions to terrorists. However, the stand I am most proud of is the one where I stay seated. Last night I went to a free concert at the Lincoln Center (other free performances are listed http://www.lincolncenter.org/asc_load_screen.asp?screen=advanced_search_results&program=4). Yo Yo Ma and the Silk Road Orchestra were playing and they were great. It was a wonderful performance with a great interplay between eastern and western musical traditions. I'll admit it was a pretty good concert, but at the end when the audience rose to pay respects I stayed in my seat. Whether the rest of the audience thought it truly was ovation worthy, or that Yo Yo Ma himself is ovation worthy, I don't know. I'll admit it was a good concert. However, it was not terrific, and it was not mind-blowing. I still clapped, but I stayed in my seat despite the stares from the surrounding circle.

               I wish I could say this was a one time thing, but it's not. At every concert, every play, and even some comedy shows, the audience always stands at the end and the standing ovation becomes more and more obsolete. And that is why I wish to pay my respects to what had been one of the greatest ways to show respect to a truly great performance.

I invite the THINQon community to share in my loss and tell of some of the most ovation-worthy performances you've ever seen and perhaps let the spirit of the standing ovation live on in our memories.

RIP
Hi Robin,
Great first post!

As I already mention in Clapping during a concert most of what people care about is to speak, and clapping, standing, yelling Brrravooo is their way of performing in a time where people like performing more than listening.  If one was to judge a concert by the clapping at the end, one would get strange results. For example, famous people's concerts seem to always have gone extremely well - standing ovation worthy.

One small caveat. Sometime concerts aren't that good so one hopes for a good encore. I have been to such concerts where the performers were so tense for the concert, and only really relaxed later for some great encores. You could say then that the worst the concert the more they are hopeful for a redeeming encore, and the more they work to get one.
Hi Robin,

It’s a complex question, to decide whether an ovation was justified or not. It might have been just an ok concert but when the performers are well known, the public often reacts to the excitement of seeing their admired musicians live, and simply listen to him/her  through their passion. For anyone who does not have this passion, their reaction seems exaggerated but it’s not the case for those who feel it.
One could also consider the ovation as respect being given for the performer’s ability to build through the years such a passion towards his/her art. 

At some point in an artist's life every award, every ovation, is a lifetime achievement award.
Great point, Robin. Related to the demise of the standing ovation is the mandatory nature of the encore. Every musician and musical group absolutely plans for the encore, sometimes more than one. They know ahead of time what they will even play. There's nothing spontaneous or authentic about it at all. It used to be, years ago, the audience had to earn the encore, through, for instance, a prolonged standing ovation. Now, it hardly matters what they do, they're going to get it anyway. I think it's a shame because it dilutes the genuine interaction between audience and artist. Now, it seems that everyone is just playing an assigned role, as though you're merely following a script.
Join the Community
Full Name:
Your Email:
New Password:
I Am:
By registering at THINQon.com, you agree to our Terms of Service and Privacy Policy.
Discussion info
Latest Post: September 23, 2009 at 6:41 AM
Number of posts: 8
Spans 106 days

  
Searching
No results found.