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The tragic comedians
"The lone wolves who know no peace, these victims of unceasing pain to whom the urge for tragedy has been denied and who can never break through the starry space, who feel themselves summoned thither and yet cannot survive in its atmosphere--for them is reserved, provided suffering has made their spirits tough and elastic enough, a way of reconcilement and an escape into humor... Humor alone, that magnificent discovery of those who are cut short in their calling to highest endeavor, those who falling short of tragedy are yet as rich in gifts as in affliction, humor alone (perhaps the most inborn and brilliant achievement of the spirit) attains to the impossible and brings every aspect of human existence within the rays of its prism. To live in the world as though it were not the world, to respect the law and yet to stand above it, to have possessions as though 'one possessed nothing,' to renounce as though it were no renunciation, all these favorite and often formulated propositions of an exalted worldy wisdom, it is in the power of humor alone to make efficacious."

- Herman Hesse Steppenwolf

In my journey through the imaginary time and space of literature, the archetypal comedian appears everywhere. However, it is a rarity when one of these comedians (or clowns) hints at a darker understanding of existence. So when it happens I am always struck by the intertextuality of the character. For instance, Yorick from Hamlet immediately comes to mind, whose lines about Infinit Jest inspired the David Foster Wallace book , which speaks to the comedian in the Watchmen.


It is an interesting theme that merits discussion. Hesse captures comedy quite brilliantly in the above passage. He's made it tragic just as Yorick and the Comedian are. There's an essential paradox here, that deep in the shadow of a laugh exists such tragic emptiness, an understanding of death. That Yorick was  a "man of infinit jest" who we only knew as a skull speaks to this paradox. That such a man who embodied life and humor is presented to us as the embodiment of death.

Humor and Comedy is the sublime understanding of the human existence. The best comedians play to this, they point out the little absurdities and remind their audience that truth only exists in the mind. Comedians shape the world around them to their own reality. As Hesse said, "to live in the world as though it were not the world." The true comedians know this and subtly speak to it in making you laugh. Is it any wonder Woody Allen is so fascinated by death?

Hesse surmises that the best humorists are just as entangled in personal affliction as the great tragedians. Though I won't say this is true of all great comedians, a lot come to mind: Woody Allen, Richard Pryor, Mitch Hedberg, John Kennedy Toole, John Belushi, all tragic figures.

It's the comedians who know that the only way to survive in a meaningless universe is to laugh at it.

"Once you realize what a joke everything is, being the Comedian is the only thing that makes sense." -Watchmen

I invite your thoughts.
Books Discussed
Watchmen
by Dave Gibbons Alan Moore
Steppenwolf: A Novel
by Hermann Hesse
Hamlet (The New Folger Library Shakespeare)
by William Shakespeare

Hi Hanna,
For some reason the image  which immediately came to my mind when reading your post was from an episode of The Mary Tyler Moore show where it turns out that Mary always bursts into hysterical laughter in funerals. She can't help it. I think she needed to give the obituary speech and she starts laughing and laughing.

(I'm also reminded of William (Sanguine, not Shakespeare) quote from the Watchmen in his post , about the comedian: "he saw the true face of the twentieth century and chose to become a reflection, a parody of it." As well as the Pagliachi joke in the movie (sorry, I didn't read the book)).
Hey,
A very nice issue.
Something which strikes me about the Steppenwolf quote is how he starts out with a single problem -- unceasing pain -- and solves it with the introduction of doubling, that is, of two simultaneous registers ("to live in the world as though it were not the world").

This reminds me of Gregory's paraphrase of Messiaen, "eternity is a single tone: split it in half and there is rhythm."

I think it is significant that out of this splitting, this introduction of hollowness and of a space for resonance, we get on the one hand laughter (in Hesse) and on the other music (in Messiaen). I don't want to try sum this up neatly yet, because there seems to me to be something deep here, which maybe we could try to talk about; c.f. Margaret's very interesting post on Poseidon's laughter.
Emily, let me first say that I found your post brilliant. I can't say I understood it completely, but what I understood is really brilliant.

Your quote about splitting the tone in half to create rhythm reminded me of something I said about the court jester (in the George Carlin discussion of comedy). That the court jester was the only one allowed to laugh at the king. The only person allowed to turn the world order upside-down. Similarly, the comedian can be said to turn tragedy upside-down into comedy.
"To respect the law and yet to stand above it." as in your Steppenwolf quote Hanna.

You mention Woody Allen Hanna. I just saw the trailer for his new movie where he (played by Larry David) comes out screaming: I'm going to die, I'm going to die. His wife rushes to him: what happened? Not now; eventually, eventually I'm going to die.
This seems to me to be a good example of: "eternity is a single tone: split it in half and there is rhythm." So much of comedy is the game of time, and timing, and how exactly one splits this tone.
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